This is gonna take awhile.
What is?
Making my way through all these Models of God and Alternative Ultimate Realities. It's like going to the Reality Store and checking out each and every aisle. In fact, Charles Hartshorne once tried to quantify the possibilities based upon various criteria such as eternal, temporal, conscious, knowing the world, and including the world, resulting in 32 "doctrinal possibilities." That's a lot of models to check out!
Nor does that even include all the possible variables. One author (Viney) added a couple more variables and came up with 256 alternatives. Another author comes up with eight more general possibilities, including atheism, agnosticism, deism, pantheism, polytheism and henotheism, monotheism, panentheism, and his favorite, "eschatological panentheism."
But even atheism is never just atheism, because exactly which god are you denying? After all, I too am an atheist, since I reject all gods minus one. But based on what criteria?
Perhaps the same criteria we use to judge scientific models. Philosopher Ian Barbour (quoted herein) writes that a
theoretical model is an imagined mechanism or process, postulated by analogy with familiar mechanisms or processes and used to construct a theory or to correlate a set of observations.
In science, one criteria is "fertility," which involves three main features: first, it must explain what we observe, second, it must be able to predict future observations, and third, it must be falsifiable. To which I would add coherence and consistency.
So, are some models of ultimate reality more fruitful than others? Clearly. For example, a model that assigns absolute omnipotence to God thereby denies free will in man and renders our commonsense experience of freedom inexplicable and absurd. No explanation is needed for our free will, since it is simply denied up front.
But this is like a metaphysic that regards biological life as nothing more than statistically rare physics. You can say that an organism is nothing but a soft machine, but who then is saying it? A machine? That doesn't work for me. Likewise a model that reduces consciousness to biology.
As it pertains to our ultimate models -- or models of ultimacy -- Peters suggests four criteria, including comprehensiveness or scope, logic, coherence, and applicability to human experience.
Let's fast forward to Peters' preferred model, which is again what he calls "eschatological panentheism." I only mention it because it is pretty close to my model, in emphasizing the teleological structure of creation. For again, God isn't just the efficient cause of things, but the final cause. And last in execution is first in conception, so finality is baked into the cosmic cake from the beginning.
For Peters, "God creates from the future, not the past," starting "with redemption and then draw[ing] all of creation toward it."
Whether you call it Genesis or Big Bang, both involve a futurity whereby "To have a future is to have being. To lack a future is to lack being. The very definition of creation includes a future." This also implies that things aren't merely entropic, rather, aimed at an end which requires time in order to attain.
But it also implies an open future, for if it were closed, this would be an implicit denial of the time it takes to get there. This would be like Einstein's block universe whereby past and future are just perspectival illusions:
The gift of the future builds into physical reality its dynamism, openness, contingency, self-organization, and freedom.
Why even is there creativity within creation? Because "God unlocks the present from the grip of past causation. And this frees the present for newness in the future." Ultimately, "Creation is not done yet. God is still creating the world." With a little help from his friends, which is to say, us.
With that, I'm going to repost something from last summer that touches on some of the themes discussed above:
Setting the stage for what we are about to discuss, it goes back to yesterday's post, in particular, to the idea that what is needed is proof of a certain vision of the world before proofs of God can be efficacious or operative and religion can make sense more generally.
Exactly what the world is is a rather big question, but it is among the first terms we must define. To repeat an aphorism from yesterday:
Today we require a methodical introduction to that vision of the world outside of which religious vocabulary is meaningless. We do not talk of God with those who do not judge talk about the gods as plausible.
COSMOS: In Voegelin's usage, the whole of ordered reality including animate and inanimate nature and the gods. (Not to be confused with the modern conception of "cosmos" as the astrophysical universe.) Encompasses all of reality, including the full range of the tension of existence toward the transcendental (Webb).
Bracken utilizes the language and conceptual structures of systems theory as a philosophical and scientific grammar to show traditional Christian beliefs in a new light that is accessible and rationally plausible to a contemporary, scientifically influenced society.
Consider the following, which echoes what was said above about the complementarity of immanence and transcendence:
the natural order and the alleged supernatural order are in fact dynamically interconnected processes or systems that together constitute a richer reality than what either the natural order or the supernatural order, taken alone, can provide.
Here's how different elements of the image relate to the themes:
- The Central Brightness: This could symbolize ultimate reality, God, or the source of creation. Its intensity suggests a fundamental and powerful origin.
- The Nebulous Background: The swirling colors and cosmic dust evoke the vastness and evolving nature of the universe, referencing the discussion of the Big Bang and the ongoing evolution of the cosmos.
- The Interconnected Network of Lines and Orbs: This intricate web might represent the "Models of God and Alternative Ultimate Realities" being explored in the text. The various orbs could symbolize different concepts or aspects within these models, and the lines connecting them suggest the relationships and interdependencies between these ideas.
- The Circular Structure: The overall circular or spherical arrangement could allude to wholeness, the cosmos, or the interconnectedness of all things, reflecting the idea of a unified reality that includes both immanence and transcendence.
- The Sense of Depth and Layers: The way the elements overlap and recede suggests the multiple layers of understanding and the complexity involved in grappling with these philosophical and theological concepts.
Essentially, the image attempts to visually synthesize the text's exploration of diverse models of reality, the evolving universe, and the interconnectedness between the material and the transcendent. It's meant to be evocative and thought-provoking rather than a literal depiction.
7 comments:
This is a few years old, but when I saw it I thought this is Bob's people
It's a sickness: audiophilia nervosa. There's a margin of diminishing returns, in that you have to spend greater sums for decreasingly perceptible improvements. Ironically, they say that just putting your speakers in the proper place makes a bigger difference than most of the expensive tweaks.
I compromise by indulging in relatively inexpensive tweaks, most recently a little tube amp that you place between the CD player and pre-amp, that supposedly gives it the warmth of analog. I don't know if it works, but I THINK it works, so it's like an audio placebo.
I have Marantz speakers, which come with a precise mathematical formula for exactly where to place them relative to the back and side walls. Don't even think about moving them so much as half an inch!
I mean Martin Logan speakers. I do have a Marantz CD player engineered by some Japanese obsessive.
I guess nobody buys CDs anymore except for aged boomers like me. Today in the mail I received what is supposed to be THE best sounding Dusty Springfield CD, which I will sample on headphones tonight as I'm drifting off to sleep. I can't listen to vocal music during the day, when I'm trying to concentrate on Models of Ultimate Reality.
I fantasize this will be my retirement hobby project. Now I just watch and learn.
It's a great hobby, because when you make an audio upgrade, it's as if you have a new collection, since it sounds so much better. You can listen to old stuff with ears made new.
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