To review: God is not impossible, and therefore necessary. While we cannot necessarily say what he is like, we deploy subtractive knowledge affirm what he cannot possibly be like, one of these impossibilities being boring.
Or bored.
Correct: as they say, if you are bored, it’s probably just because you’re boring. If God is the very principle of creativity, how could he possibly be bored?
Now, creativity is another word for surprise!, and our Cosmos is likewise full of them. This is only possible because the Cosmos is not necessary or self-sufficient, rather, contingent upon, and open to, its own vertical source. As explained in the prequel, one of the surprising properties of reality is its boundless capacity for surprise. If this were not the case, then science would not have to investigate nature empirically, rather, could simply deduce its contingent properties from necessary truths, as imagined by the ancient Greeks. For example, they deduced that the stars move in perfect circles from a priori beliefs about the nature of heavenly perfection. Unlike the messy terrestrial world herebelow, the celestial world was simple, elegant, and orderly: no surprises!
Only with the scientific revolution did we begin actually interrogating nature on its own terms, since which time the surprises have never stopped. Again, we cannot deduce from existing knowledge what is in store for science, rather, must continue to explore its objectively intelligible structures — not just on a single level, e.g. physics, but on multiple levels, each of which open to a higher level but not reducible to the lower.
For example, in no way did Einstein deduce relativity from Newtonian physics, rather, saw into a deeper structure of which the latter is but a limiting case. For Newton, the Cosmos is contained by space and time, but Einstein discovered — surprise! — that the very fabric of the Cosmos is constituted of space-time. No one saw that coming, because it could not possibly come from the existing paradigm. Among other things, this meant that Kant could not be more wrong about space and time being human categories with no objective basis, since they are woven into the Cosmic Area Rug.
Nor is time in any way analogous to mechanical clock time, otherwise there would again be no surprises.
They say God created time when he created the Cosmos.
That is metaphysically impossible, since creation takes time, no matter how much our competitors object. In a way, they are a mirror image of the Greeks referenced above, deducing what God must be like based upon their own celestial policy preferences, for example, that God is perfect, and perfect means timeless and immutable. But who died and left man in charge of the heavens?
Jesus?
ISWYDT, but that means human nature is taken into the divine nature — a participant in celestial activity, not its CEO.
Let’s get back to the subject at hand, which is to say, why reality is so full of creative surprises: while the Cosmos has an intelligible order, this order
is intrinsically open towards God, and not closed in upon itself. If it were closed in upon itself and possessed of an intrinsic necessity, science would proceed solely through a priori reasoning…. As contingent, however, the universe is open to a transcendent ground beyond itself — it points mutely to God the Creator and his transcendent rationality (Torrance).
The Cosmos is pervaded by a unifying Logos, and this latter is always beyond the limits of our own finite reason; just as the Cosmos is finite but unbound, so too is the Anthropos, and for the same Reason — that this is “a relational type of order which is at once dynamic and open,” for which reason “the universe as it discloses itself to us constantly takes us by surprise” (ibid.). The world is full of unactualized potential, and one can never deduce the potential from the actual. Rather, the Cosmos is “continuously open to quite new and unpredictable variations,” and dis-closes itself “in an indefinite range of unexpected manifestations.” Its current state depends upon past states but cannot be reduced to them, otherwise no surprises for you! For the Anthropos is again open at both ends, and indeed,
it is man himself with his inquiring rationality who constitutes in the structure of the space-time universe the boundary point where it is open beyond itself, and where the mystery of its meaning becomes disclosed… (ibid.).
If this were not the case, there would be no Cosmic Area Rug and no certainly possibly of locating its whereabouts.
∞
You may be surprised to learn that the Godhead is one endless surprise party, and that the most surprised party is God. Here, as with any other attribute of God, we must see this capacity for surprise as a perfection and not a privation.
God is omniscient. Wouldn’t that make him incapable of being caught off guard? How could he ever be surprised?
I will tell you how. Of course, there are hundreds of instances in the Old Testament in particular in which God expresses surprise, disappointment, regret, etc., but we do not consider these dispositive, since they could be just anthropomorphisms.
Let us take an obvious example: it is said that God wills for everyone to be saved. And yet, this apparently does not happen. Can it be that God himself fails to achieve the modest charge with which he has tasked himself? Or does he just not care one way or the other? If God were omnipotent full stop, then what he wills happens inevitably. But not only is there a principle of freedom in God, he is this principle, and what is freedom if not indeterminate? This latter goes to God’s Infinite pole, which assures that the creative surprises never stop, whether in Vertical Headquarters above or herebelow in our local cosmic franchise.
As to freedom itself, O’Hanlon writes that in the Godhead “each person allows the other two to be,” which implies a “kind of freedom of space.” Just so, our freedom to reach God implies the possibility of failure to do so.
So, the principle of Slack, or ontological elbow room, is built into the Godhead?
It must be, for how could anything so precious to us not have its analogue in God? It would mean that we get to enjoy something that is denied to God, and that makes no sense. In reality, freedom and surprise entail one another, because if everything is known ahead of time, then neither can exist. A fully determined cosmotheandric plot would be one big spoiler that eliminates any interesting twists and surprises.
For cosmotheandrism, the ultimate Principle is eternally creative, such that all the aesthetic creations of man are but a poor shadow of this — reminiscent of C.S. Lewis’ comment about wanting to see the place where all this useless beauty comes from. To which we might add truth and creativity.
Is there a workaround, such that our first Principle can somehow reconcile change and changelessness, freedom and constraint, routine and surprise, creativity and tedium? Process theologians dismiss the notion of immutability and welcome the idea of a God of endless becoming, but let’s not be rash. This goes too far in the opposite direction into panthesism, whereas cosmotheandrism demands the full complementarity of Absolute changelessness and Infinite novelty and variety. But how to reconcile these seeming opposites?
I don’t see, um -- what exactly is the problem?
You don’t know, Petey? You seem to know the answer to everything else. First of all, a triune Godhead that is capable of genuine giving and receiving — or rather, incapable of not doing so — implies that our ultimate principle is an event combining Big Verb and Big Noun. Not an event like the ones that occur down here, which have their beginning, middle, and end, but rather, an unending “eternal event,” so to speak. And this event “admits of creativity, wonder, surprise, receptivity and increase, even within the fullness of being that is God” (O’Hanlon).
Hold it right there: if God is the fullness of being, how could he surpass himself, much less improve?
That’s just it: he doesn’t. Rather, imagine an endlessly creative artist whose every creation is an unsurpassable eleven out of ten. This doesn’t happen with the best terrestrial artists — even Dylan nods, sometimes for decades at a time — but that is not to say it couldn’t happen with the best conceivable artist. “This ever-greater, ever-new quality of the divine life” is not like “the needy ‘becoming’ which is characteristic of created beings,” rather, an endlessly perfect becoming that does not surpass itself, “an ever-greater God who, within his immutability, can ‘become’ eternally.” Which is why, as O’Hanlon states, “There is no boredom in heaven.”
Supposing there is such a place.
We’ll deal with that question later. But O’Hanlon (borrowing an analogy from Gregory of Nyssa) compares the Godhead to a fountain at which “the onlooker is amazed” because of “its infinite streaming forth from within so that the whole is never seen and there are always new outpourings in and from the same depths,” for “the fullness is maintained precisely through the passing on of the overflow” — much like a far-from-equilibrium process structure in this world, which maintains itself via a continuous flow, like Life Itself.








