If in Book I we set the cosmic stage and in Book II introduced the anthropic actor, in Book III we explore the theme, which is to say, the meaning of the story. The purpose of an artistically rendered plot — which of course plays out in time — is to convey a theme that is transcendent to the plot, ideally timeless and universal. The plot takes us on the road, but does the road lead anywhere? In the case of the Cosmos, it is full of surprises, with a plotline nobody could have invented or foreseen — much less deduced — but in the end, is it all just typing as opposed to writing?
In any plot there is an inciting incident that disrupts the normal course of events and introduces a conflict into the story. For cosmotheandrism — and frankly just common sense — the appearance of the Anthropos is the inciting incident, since there are no conflicts prior to this. But once man arrives it is one conflict after another — with the environment, between human beings, and within ourselves.
Think of how quickly things go sideways in the biblical narrative: snake versus woman, woman versus man, man versus God, God versus man, brother versus brother, etc. You could say this is “revelation,” but who could disagree with what it reveals? Then God intervenes to set things right, but much of the Old Testament documents further conflict between God and his people, and then other people versus the people of God. The whole thing culminates in God actually entering the story to straighten things out, but then the people rise up against God. No sooner do some of the people learn their lesson, then they too come under attack, and the Cycle of Conflict continues.
Sounds more like a documentary than a revelation.
Big Box Religion and Be-spoken Religiosity
Religions are, for the most part, bad — but Religion is not. –Gödel
As touched on in Book II, each religion in its own way offers a diagnosis of man’s ills and a means of treatment — an owner’s manual for how to achieve our maximum potential and become fully operational humans.
But what about revelation, and which one are we supposed to pick? Even within Christianity there are hundreds of denominations with deep differences over a plethora of major points and fine details. So, somebody must be wrong, both between and within religions.
Uh oh. Here comes the Stoner’s Manual.
Rather, speaking in all sobriety, revelation is again more analogous to aesthetic works that connote far more than they denote. As we touched on in Book II, the denotative sense of a work of art might be commonplace or trivial. But a great work of art has a kind of immediate power that is prior to our interpretation of it, much like how humor has the immediate power to provoke a physical reaction.
In the case of art, perhaps this is because we sense the power via the right cerebral hemisphere and try to explain it a posteriori via the left. Indeed, it is via its palpable aesthetic power that we recognize something as art to begin with. Bad art operates in the other direction — for example, consciously infusing the plot with a crass political or ideological message and calling it art.
As explained in Book II, our prime directive is to know the True and will the Good: if there is a (free) will, then there’s a proper way — an Ought built into the nature of things. Wisdom knows the end, but prudence determines the path.
This opens a rather large can of wormholes.
True, there are plenty of contradictions and implausibilities in any Big Box religion, but that is no reason to embrace an incoherent absurdity that is even more contradictory and implausible, from scientism to Scientology. In general, this is precisely the role of esoterism, which seeks the deeper truth (or substance) beneath religious forms without in any way undermining or negating their fundamental message.
Taken at farce value there is much about religion that doesn’t add up, and may even be repugnant to our reason.
Sounds like it doesn’t matter which religion you believe, so long as you’re ashamed of it.
Two things may be said of this: first, being confronted with such contradictions compels us to grapple with them for a deeper understanding. This is reminiscent of poetry, which likewise forces the poet to express himself within the constraints of a certain structure, rhythm, or rhyme scheme, resulting in something deeper and more beautiful than the same thing expressed in prose, which may render it banal or inane.
Likewise, it is easy enough to spot the fissures and anomalies in the other guy’s religion, or in any ideological system for that matter, in that we know going in that no such system can be complete and consistent — including, of course, science. As everyone knows, the latter is an unsurpassed method for exploring the natural world but quickly beclowns itself when elevated to a philosophy or metaphysic. Thus it seems that both science and religion are in need of a unifying esoterism to help them transcend their own limitations and break on through to the other side.
Esoterism? Why not secret handshakes, spoon-bending, or the prosperity gospel?
For cosmotheandrism, esoterism is simply the inner complement to outward exoterism, the spirit behind the letter or substance beneath the form. As implied in Book II, it is an ontological jailbreak from left-brain imprisonment, a movement from immanence to transcendence and part to whole.
In the words of Schuon, esoerism is “not legalistic or obligatory truth, but truth that stems from the nature of things.” It is the invisible and colorless light that takes on color upon contact with various religious forms.
There is again religion and there is that to which religions point — the former is always relative, the latter Absolute. In a manner of speaking, esoterism is “the religion of intelligence,” such that “its content is all that intelligence can attain, and that it alone can attain” (Schuon). One might say that it goes to the hidden side of the Cosmic Area Rug, which does not require a genius to acknowledge, rather, just intelligence as such. “In this sense it could be said that esoterism alone is absolutely monotheistic,” for “it alone recognizes only one religion under diverse forms.” In short, it is the Religion of religion going to the God of Gods, hence Gödel’s snarky comment at the top of this section. It is not so much that religions are bad, only that they tend to go bad — which is to say, rigid, static, partial, and contradictory — when divorced from their complementary esoteric side.
In other words, just as a purely left-brain view of the world is necessarily incomplete or inconsistent, so too is any religion enclosed in its exoteric dimension. In truth, we always need both. In a way, esoterism simply respects the poles of infinitude and transcendence, as does Einstein vis-à-vis science or Eckhart with regard to the God beyond God. Just as we can forget the infinite dimension of science, so too can we disregard the infinitude of the Theos, enclosing both in our own forms. A form maps the totality, but no form is total. That’s just common sense, and a defense against the common nonsense of both scientism and religionism.
Back to science for a moment. There is no present way, for example, to reconcile quantum and relativity theories, but does this mean we should just give up on physics because it is hopelessly contradictory? Of course not. The maps still work, despite the ambiguity of the reality they map.
Likewise, in the study of psychology one learns all about neurology and brain anatomy in addition to purely psychological theories, but with no earthly idea of how to reconcile the two (the so-called Hard Problem). There are obviously simplistic ways to do so, but these are analogous to the theologian who can only explain things with recourse to his own theology. The same is true of the neurologist who explains subjectivity with recourse to neurology: premise in, conclusion out.
Even the secular person will acknowledge that man is indeed always restlessly pushing toward infinitude. No sooner do we conquer one horizon then we are aiming at the next one. But if there is no real object at the other end, then this reduces to a dynamism of eternal futility, because we’re pushing a sisyphean crock uphill toward something that is definitely unattainable and probably non-existent. On the other hand, if there is a telos to our striving, then this is how we go about conforming ourselves to the Theos in an open and dynamic way. It becomes the implicit thematic structure of our lives, which thereby become meaning-full instead of meaningless.








