Where were we? Yes, passive and active in the intellect. The senses, for example, are mostly passive, at least until worked over by the mind and transformed into something thinkable, a concept.
But concepts are quite alluring, so much so that they can become detached from the empirical reality from which they are derived and take on a death of their own: the fall into ideology and ideolatry is complete, and we are sealed in tenure.
As a commenter commented yesterday, there are "7 billion minds out there that create their own worlds at the speed of thought.” Actually, faster than that, because properly speaking no thinking is involved. Rather, all they see is what their idea permits them to see. This idea is active, but in a dysfunctional way, in that it is actively superimposed on phenomena, reducing the world to some stupid idea about it. This culminates in a "Ph.D.," as in "Dr. Jill Biden."
Happens all the time, and can’t not happen if we aren’t vigilant about what we let into our heads. Rather, we must always remain open-minded except insofar as we have arrived at a principle that cannot not be. Then it's not only okay to be close-minded, it’s mandatory, for this is the rock on which we shall built our perch, AKA the transcendent view from nOwhere.
Science has the right approach, in that its every idea about the world is tentative and falsifiable, except principle ideas such as falsifiability, the intelligibility of the world, and the mind’s adequation to a reality independent of it, without which there can be no science.
In addition to the active/passive complementarity there is one of analysis/synthesis. Analysis is essentially active, except it may operate on concepts that have been passively assimilated, for example, “critical race theory,” which is critical about everything except the initial delusion which has been passively internalized by the "Ph.D."
The same is true of any discipline ending in Studies, for what is studied and scrutinized is some gratifying projection, even if it’s hard for normal folks to understand why it’s gratifying.
For example, it is somehow gratifying for them to believe the world is so racist that even black police officers in a black-run department are white racists. Likewise, here in California Larry Elder is our black face of white supremacy. We scarcely know whether to laugh or laugh harder.
Active and passive, analysis and synthesis. Anything else? Yes, there are the distinctions between Absolute and Relative, Infinite and Finite, Reality and Appearance, Eternity and Time, and Principle and Manifestation. However, I suspect these are all just different ways of looking at and thinking about the same thing, which comes down to “Creator and Creation” or “God and World.”
But if we really want to remain openminded about this, we should use empty and unsaturated symbols such as O and ( ) for God and world, respectively.
Everything, it turns out, partakes of this “empty dialectic,” so to speak, even God himself. (For reasons I no longer recall, I thought it was a better idea to symbolize the world as )( in the book, probably because I thought it conveyed an inversion or something. That’s too cute by half.)
Now, the only other guy who comes close to thinking about this subject as I do is Schuon, although he still sticks with words and not symbols. Perhaps Guenon went there, but it will take too much time to check.
My point is that this O <—> ( ) dialectic is irreducible, even in God, or in divinas, as they say when they want to sound more serious. But I think you’ll find that thinking about God this way resolves a lot of problems, paradoxes, existential absurdities, and ontological nul-de-slacks that occur if we try to think about God in the usual way. Tune in tomorrow to find out why.
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Rather, we must always remain open-minded except insofar as we have arrived at a principle that cannot not be. Then it's not only okay to be close-minded, it’s mandatory, for this is the rock on which we shall built our perch, AKA the transcendent view from nOwhere.
For school today, the younger kid was upset about the fact that when we reach the "bridge" section (basically, testing) in math, sometimes we do it for a few days if it's clear they aren't understanding the concepts. This of course led to a discussion of why we can't just move on to the next section. If they were in a regular school of course, the class would barrel along at the speed of syllabus and whoever gets left behind, well, tough luck, kid.
That is not our way. The whole purpose of this process is to make sure that the rocks on which they build their intellectual perch are solid and properly placed, so that as they reach higher the base doesn't crumble out from under them.
Mustn't reject the cornerstone, or the foundation collapses.
Weird looking angels makes sense. Them being subject to interpretation, like the lyrics from an old Yes album, makes sense too. Especially after that time I traveled to another dimension while listening to an old Yes album. It was the 70's, after all.
Today I conclude that everybody just projects whatever it is that works for them out onto the world at large. Especially self-proclaimed prophets like Johnny Enlow and Greg Locke. But I sometimes wonder, what if money wasn’t involved?
A seasoned witch could call you from the depths of your disgrace and rearrange your liver to the solid mental grace.
Rather, all they see is what their idea permits them to see. This idea is active, but in a dysfunctional way, in that it is actively superimposed on phenomena, reducing the world to some stupid idea about it.
Just wanted to see this again. So much to sí here.
Speaking of music, our February folk song is Wayfaring Stranger. Really good live version by Jack White, although I think of the ones listed Emmylou Harris' is my favorite (there's a playlist in the sidebar, these are #s 16 & 17).
Good version by Eva Cassidy. Also by jazz flautist Jeremy Steig. Don't blame him for Jethro Tull.
Wow, very different takes. Nice.
It's funny, with a song like this there doesn't seem to be a "definitive version," where everyone's trying to sing it in a particular way. Instead it serves as an expression of the individuality of the performers. I even saw one that was a blend of English and Russian.
Yes lost me when they turned all mullet and their lyrics suddenly became decipherable.
So Yes, money does matter when it comes to artistic expression. Plus I didn't have enough money to buy the stuff that'd make them all mysterious once again.
Yet still there’s something about music aficionados which makes them so very highly opinionated.
Witness all the band breakups after fist fighting over some artistic nuance which the less experienced amongst us would deem petty. Even I worked with a guy who called Billy Ray Cyrus “The Abomination”, and Pearl Jam “Hurl Jam”. Yet the guy liked Prince.
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