Out Through the In Door (3.05.10)

Beauty is a crystallization of a certain aspect of universal joy; it is a limitlessness expressed by a limit. --F. Schuon

Ever since the scientific revolution, we have tended to divide the world into a public sphere of objective, measurable reality and a private sphere of ephemeral, subjective perceptions. In this view, the external world is considered the fundamental reality, while consciousness is reduced to an epiphenomenon, so that all our perceptions of the world -- its vivid colors, sounds, and textures -- are rendered meaningless, revealing nothing intrinsic to the cosmos. All subjective qualities are reduced to quantities -- for example, our perception of the redness of an apple is reduced to a particular frequency of light, or music is reduced to vibrating air molecules striking against our ear drums.

As I wrote in One Cosmos Under God, "science begins with the one world we experience with our senses (where else could it begin?), but quickly saws off that familiar limb by 'excluding everything that can be imagined or conceived, except in abstract mathematical terms,' consequently relegating everything outside mathematical description -- the very world it started with -- to 'an ontological limbo.'" Only this second, abstract world is considered to disclose valid information about the universe, whereas all of our initial impressions of color, sound, texture, beauty, and meaning supposedly reveal nothing real about the universe, only about our own nervous systems.

But one of the fundamental tenets of esoterism is that the universe not only has a within that is uniquely accessible to humans, but that the very cosmos is the "exteriorization" or crystallization of this same within. In other words, the universe is not simply an exterior made up of discrete parts that are external to one another. Rather, by looking at the parts in a certain way, we may intuit a wholeness in the world that in turn reveals its interior dimension. Parts show us only the exterior of the cosmos, while wholeness lures us toward the Great Within.

I recently wrote to a reader about the experience of mountain biking in the open space around our house. One day I brought along the camera so I could bring back some photos for Mrs. Gagdad, who doesn't bike. Just by virtue of having the camera, I found myself regarding reality in an entirely different, more consciously aesthetic way. It reminded me of the young videographer in the film American Beauty, who would simply record seemingly banal things, such as a paper bag blowing in the wind, which elevated them to a transcendent level just by looking at them in this aesthetic way.

It seems that we originally gain access to the Great Within through the human face. As infants, our whole world is oriented toward the mother's face. Obviously, in looking at a face, we don't first attend to a nose here, an eye there, a mouth there, and then inductively leap to the conclusion that faces exist. Rather, without even knowing it, we attend to the face as a whole, and can instantaneously distinguish one face from another and one expression from another.

In attending to the mother's face, the baby knows that the mother has a living interior, and through her changing expressions, begins to discover his own interior. Severely autistic children, for example, do not see whole "faces," but only a collection of parts, so that they are never fully ushered into the intersubjective Withinness of the cosmos. Instead, they can be left isolated in the bizarre and frightening existence of a living death -- immersed in a sea of things that move and have independent existence, but reveal no intrinsic meaning. Adhering to the strict scientific view -- which regards the "within" as mere subjective "noise" -- one would have to say that people with autism are more in touch with reality than anyone else, which is absurd.

Just as the face allows us to see the within of the person "behind" it, the wholeness of the cosmos invites us to see beyond its surface. (One of the central points of my book is that modern physics reveals the cosmos to be an internally related whole, not just a collection of exterior parts.) Paradoxically, we can know the interior only by focusing on the exterior. Just as the face is the meaning of its features, the meaning of existence can be discovered by dwelling in its features. Poets, for example, have always understood that by indwelling in nature we can intuit what dwells within nature -- we are floating atop a sea of clues that point beyond themselves to a hidden reality, which in turn throws out clues like sparks from a central fire. By attending to things and events in a certain "actively passive" way, we allow them to "speak" to us, and this in turn in-forms us about their nature.

The English poet Gerard Manley Hopkins coined the term "inscape" to refer to this more intense experience of observing things in such a way that their intrinsic qualities emerge. He believed that by allowing one's attention to be drawn to a bird in flight, a tree, or a landscape, we allow their character to act upon us through a union of the inner and outer worlds. Similarly, Goethe argued that we discover the true nature of things through a contemplative kind of looking he called "seeing with exactitude." By doing this, we can open ourselves to what the cosmos is telling us about itself (and by extension, ourselves).

This being so, we can also see that exploration of the Great Within will yield valid insights about the cosmos. As Schuon writes, certain gifted metaphysical or mystical poets such as Dante are able to express "spiritual realities with the help of the beauty of their souls." In this regard, "it is a matter of endowment far more than of method, for not every man has the gift of sincerely expressing truths that go beyond ordinary humanity." One secret denied the leftist is that the world is as beautiful as the soul's capacity to see it.

This has obvious theological implications. For example, what is scripture but an exterior narrative that tells us of the within of God? Just as it is a mistake to view nature as an object, one makes the same mistake in viewing scripture only as a historical narrative of external events. Rather, those events have a within which is their true teaching. As Meister Eckhart wrote, "If you would have the kernel, you must break the shell."

It can also be argued that the figure of Jesus answers the deepest human longing to "see the face of God," and thereby know his Within most intimately. Again, the whole point of the gospels, if you are a Christian, is that their external narrative reveals the interior God. You cannot dismantle or deconstruct the gospel stories, for this would be like disassembling a human face to try to understand its expression. We see by a sort of interior light when we dwell in faith, for faith is actually foreknowledge of as yet undiscovered truths -- knowledge of approaching discoveries on the interior plane of things.

As the poet Novalis put it, "The seat of the soul is where the inner world and the outer world meet." If you are feeling boxed in by the materialistic paradigm of modernity, know that you may escape it any time through any of the infinite inscapes that both surround and abide within us. For being mirrorcles of the Absolute, we may penetrate nature only because it penetrates us in a higher realm of transcendent union.

The sacred mountain, seat of the Gods, is not to be found in space even though it is visible and tangible....

For the man of the golden age to climb a mountain was in truth to approach the Principle; to watch a stream was to see universal Possibility at the same time as the flow of forms.

In our day to climb a mountain -- and there is no longer a mountain that is the "center of the world" -- is to "conquer" its summit; the ascent is no longer a spiritual act but a profanation. Man, in his aspect of human animal, makes himself God. The gates of Heaven, mysteriously present in nature, close before him. --F. Schuon, Spiritual Perspectives and Human Facts