This Post: Looked Good Before It Was On Paper
Now, this is an exquisitely coonlike sentiment -- and not just because "theoptical" is a neʘlʘgism, a made-upword.
I'm not sure if "theoptical" is the best way to express it, though. If I understand him rightly, then our Ocabulary word "cardiomyopia" (not to be confused with cardiomyopathy) expresses the same idea -- that our Adamic standpoint can deseeve us, and that perceiving such a deep truth requires a sabbath restoration of our 20/∞ heart-vision.
At any rate, Davie asks whether we are "to suppose that God begins creating with a minimum," or "does not God express, all at once, the fullness that he is, the maximum -- the Word, the Logos who comprehends the whole world, and around whom the world is organized?"
Good question. I suggest we inquire into how man creates, since there is always something of the likeness in the image. I can't think of the Latin phrase at the moment, but there's one that has to do with the first in thought being the last in execution -- something like that.
The point is, if I build a house, I begin with the finished idea, but I can't start there. Rather, I need to pour the foundation, build the frame, do the electric and plumbing, hang the dry wall, etc.
Why should God's creativity -- especially as expressed in time -- be any different? I mean, he created time. Now he's gotta deal with it, just like the restavus in this manisfestivus.
My desk happens to face the former backyard, and at the moment I'm staring into a terrainwreck. Pool torn up, holes and ditches everywhere, exposed pipes and rebar, piles of dirt and gravel, lots of chatter in Spanish. All I can say is I hope my wife knows what she's doing, because I have no idea what it's going to look like when it's done. Maybe God or the all-seeing, all-spending domestic godess knows, but I know I don't.
Interesting too that at every point along the line there are a thousand little decisions to make -- or, to be perfectly accurate, decisions involving thousands of design choices -- down to the size and color of the rocks.
But you can't possibly make the choices unless you have in mind some image of the finished product. Conversely, you can't see the finished project without the individual choices. And when the project is finished -- no more choices! You're stuck with it. It's like a huge window that shrinks exponentially with each decision, until the window closes forever.
Yes, just like life, for "the night is coming when no man can work on self-improvement." Then all that's left is the Judgment. We'll return to that theme later. At least that's the plan.
Did you hear that? Sounds like muffled giggling.
Continuing with Davie's analysis, he suggests that the Godman "recapitulates to himself all stages in the evolution of man," which necessitates that "the creative maximum be expressed through him, in the Beginning, and also that time flows from him, rather than round him, so to speak."
I think I mentioned at the start of this series that Davie can leave you wanting a little more exposition when he throws out something like that. What does he mean?
Well, the Godman is again the Alpha and Omega, beginning and end. But what looks to us like a beginning -- due to our theoptical illusion/cardiomyopia -- is actually a stage on the way to the end.
It must be somewhat like a temporal hologram. In a hologram, the whole is in each part. Thus, in a temporal hologram, each portion of time would contain the Omega, so to speak. Does that make sense? I hope so, because I can't explain it any more clearly than that.
Well, maybe. Think of a symphony. I don't know if it's just apocryphal, but they say Mozart would see -- or hear -- the symphony in a kind of holistic flash, and then transcribe it in linear fashion -- like a kind of declension from four dimensions (musical space/time) to two (on paper).
Thus -- if you follow -- "Where chronology has pride of place, theologians are faced with a problem of their own making, the problem of inserting Jesus into their time series" -- in particular, his divinity (as opposed to humanity).
More orthoparadox: "[F]or if time flows from the center, and if that center is Jesus... then the centrality of Jesus is such that he does not need to be inserted into the time series, because his temporality will then be the outflow of his eternal creativity, its visible enactment..."
I'll just continue, and then maybe attempt to clarify: "Such temporal evolution would... be directed to an End, which is already divinely realized 'In the Beginning.'"
So, in the vertical "Alpha is Omega," which is also the now "where time and eternity intersect, in the moment when Father and Son are eternally one in surrender, yet furthest apart in time." I want to say "eternal sophering," but I won't. In any event, this latter "stretch of time is shortened to the span of the Cross."
You might say that descent and ascent, immanence and transcendence, represent vertically what requires time to play out horizontally.
And now I'm all out of verticality. Hey, Who just giggled?