A perfectly crafted lyric, with a great little twist there at the end. Note also where he refers to the noises getting "louder from within." Is he referring to the naughty activity inside the house, or to the command hallucinations in his head? In three minutes the narrator goes from clueless innocence ("gosh, I'll sure surprise my wife!") to a hard-bitten cynicism in which he one-ups the worldly stranger.
It's fun to think that during the Summer of Love, when Wagoner would have appeared so out of touch to my 11 year old mind, he was actually singing of the Permanent Things, i.e., the Cold Hard Brutal Unchanging Facts of Life.
Wagoner specialized in a whole sub-genre of tortured and darkly troubled souls, 29 of which are collected in The Rubber Room. And of course, his duets with Dolly Parton define the art.
Here's a little song about another mixed race sociopath for whom things don't turn out well:
2. The Pixies: last truly great rock group? If not, who am overlooking?
3. The greatest live rock album just got greater: The Complete 1971 Fillmore East Concerts by the Allman Brothers Band. Speaking of the Permanent Things, solid audio proof of at least three of the four transcendentals, truth, beauty, and unity (although the latter was no doubt aided by performance enhancing drugs).
For you young 'uns, in this famous track, In Memory of Elizabeth Reed, there are two guitar solos. The first one is by Dickie Betts, at about 3:10, and it's great: thoughtful, exploratory, and then passionate at the end. But then, after the organ interlude, comes Duane's solo at 7:48. Notice how it slowly builds to such a peak of intensity (starting at about 10:10), calms down momentarily, and then soars even higher at 11:40. There are lots of virtuosos, but few with that kind of pacing and narrative drive:
4. Fuggin' hippies in the line of fire. Classic!
41 comments:
"The Pixies: last truly great rock group? If not, who am overlooking? "
Motorhead
I have to admit I am not a metal fan. Not sure if I've ever even heard one of their tracks. But they also antedate the Pixies and a number of other greats. For example, as much as I loathe REM's politics, their first few albums on IRS are outstanding.
Whoa - I dunno why, but I wasn't expecting things to get quite so real at the end of the Wagoner song. Usually that type of story is told as a joke. At least, these days it is. Maybe because to so many people, marriage is a joke and not a sacrament.
One thing I like about a lot of these videos is watching the singers' faces - a good singer is usually telling a story in musical form, not just belting out notes. I thought his face looked awfully serious the whole way through. Once it reached the end, I understood why.
The Allman Brothers track is nice. Can't say the Pixies are doing it for me today, but probably because I'm battling a cold; sinus problems and screaming just don't mix...
I love his accent and the timbre of his voice. Just sounds Real. And quintessentially American.
It is possible that the Pixies are Boy Music.
Tristan loves to hear Tame cranked up in the car on the way to a game, to get him pumped up!
May be - I'm not sure they'd be my thing unless I were in a very particular sort of mood.
lol - definitely boy music :)
The Replacements - Particularly around the time of the "Tim" album, though they slightly predate the Pixies.
New Model Army - Best Album is "Thunder and Consolation" you will probably like their music, you will definitely hate their politics.
Stereophonics - I love Kelly Jones voice.
I will lose all credibility asking this, but I have always wondered about your opinion of U2 and also Bono, specifically. . . .
I guess I don't know the Stereophonics. I love StereoLAB, though. I guess I don't know New Model Army either.
I am just now catching up with the Replacements. I bought one of their albums back in the day -- probably Let it Be -- but they failed to connect. I just recently purchased a compilation & really like it.
I have tried to get into U2, but their appeal escapes me entirely. I much prefer the Bunnymen, who have a similar sound but without the insufferable pretension. Bono seems like a particularly soulless vocalist. Entirely too white. If I were from Ireland, Van Morrison would make me want to give up singing anyway.
Southern rock was the last sound of the truly free nature of our nation.
Or as Gregg Allman said, there can be no such thing as "Southern rock," being that rock is obviously rooted in the south.
What a northern pretension, as if tedious Manhattan socialists would ever come up with such a liberating medium of expression!
Actually I am only a "best of" fan when it comes to Motorhead and said that mostly out of jest and my knowledge of Pixies and REM are even less so.
Bob,
It seems you do like British new wave. Ever listen to Peter Murphy?
I do not know Peter Murphy. I just listened to samples from the compilation Wild Birds, and my ears are intrigued.
I hear a lot of mid-period Bowie in there, also the art song weirdness of Scott Walker.
Huh. That either sounds intriguing, or like the audio equivalent of pickles and milk. Not sure which.
Hi Bob,
Porter Wagoner's co-star on that great TV show, which I also watched as a kid, was of course Dolly Parton. I didn't understand why I liked that show, but somehow I did.
Dolly's song I will always love you, was written for Porter Wagoner when she left his show for more stardom than he was ever going to have. But he was for real.
O.k. no messing I think I've twigged it. So man has two natures. His animal nature as described by Charles Darwin and when it's transcended his Divine nature as described by Jesus Christ. Your Divine nature will be in invert proportion to your animal nature. The bible refers to the animal nature in man as 'the beast'. Your personal beast can be a lion or a pussycat depending on how well it's been domesticated. TRUE religion will help in the training process, but you must be ever watchful or it can go feral again. Sexual instincts reside in the animal nature, hence celibacy for religious orders. But isn't God taking a chance with man, who has free will and may not continue to procreate and in a few short epochs the dolphins could be scratching their heads when they unearthed the fossils of the dinosaur who found God. If you didn't know any better you'd say that God was playing dice, and loaded dice at that. An atheist might say loaded with libido, but the rest of us would say loaded with Love. Which all reminds me of the catchy little hit of the sixties by the aptly named band 'Amen Corner' called 'If paradise was half as nice'. A lyric of it goes - if paradise was half as nice as heaven that you take me to, who needs paradise I'd rather have you-. I think I'll put my whip and chair away for now and put down a saucer of milk.
Verticality + time pretty much = the Adventure of Life. Time without verticality is pointless nihilism, whereas verticality without time is stasis and boredom.
Pixies were so great in their day! Even saw them live back then. Replacements are in their league. One of my favorite songs from them is so full American soul and angst.
I think I figured out why I didn't get them. Too much else going on at the time . Also, between REM, Marshall Crenshaw, Chris Isaak, Long Ryders, X, and others, I suppose I wasn't in the market for another American band.
Ah. This explains how liberals took over my profession.
Here's another much-covered country tune with a nasty twist at the end.
I'd only heard the Gram Parsons version, which is pretty authentic.
Evan Sayet is excellent! Anyone read any of his books?
They broke the mold with Gram Parsons. He paved the way for a lot of great bands.
Porter was a homeboy. One of a kind.
Jaimoe and Butch Trucks, that was some drumming.
Gram Parsons, I remember coming out of a stoned fog one night, hearing Parsons singing something and thinking, "If only country music were like that." And Emmylou.
Seems to me the Eagles wrecked country music. After them all the country acts wanted to sound more like rock bands. But as with with "Christian rock," they're not making rock better, just making country worse.
I hate the frickin' Eagles, man!
Maybe if Parsons had stayed within country instead of trying to embrace the rock world, he'd still be alive today. Or at least he might be a proper alcoholic instead of a dead heroin addict. In any event, becoming friends with Keith Richards is a major risk factor for death by any cause.
It's kind of astounding that he's still alive.
Listening to all this country music reminds me of sitting in hot cars with no AC, cracked vinyl seats, rolled-down windows, someplace very dusty, with a lot of brown and orange decor.
Music is in the ear of the "behearer", no doubt, and I generally don't like a lot of what passes for Christian rock, but one group I like a lot is Needtobreathe. They are probably more properly categorized as a crossover band but their last album is more overtly Christian themed. Very good musicians with the lead singer who has a raw quality that I like. Their studio recordings are very good but their live performances are better as the soul of their music is better when unleashed than buttoned up.
They're country boys from Possum Kingdom South Carolina - ya gotta love that.
The better country music today is nostalgia or celebrating the fact that one is not very sophisticated.
Imagine a cage match between the androgynous Taylor Swift telling her boyfriend they are never getting back together and Kitty Wells' in her raw reply to Hank Thompson -- "It Wasn't God Who Made Honky-Tonk Angels".
in 1991, popular titles were:
Extreme, More Than Words (ugh)
Bryan Adams, I Do It For You (ugh)
Wicked Game, Chris Isaak (excellent)
Losing My Religion, REM (meh)
at the same time as
Gonna Make You Sweat, C&C (whee!)
Unbelievable, EMF (meh)
Around the Way Girl, LL Cool J (yep)
Motownphilly, Boyz II Men (uh oh)
it's clear which way the winds of popularity and music technology were blowing
in the same year (Nevermind was 1991), Nirvana was the coup de grace on rock
i.e., rock ended in madness and death
metal (and variations) is the afterlife of rock
in some versions, it's what happened when rock went to hell; in others, purgatory
youtube = rock in heaven
there are exceptions
what we're now seeing in American music, I think, is a complete supernova --
Nirvana was heavily influenced by the loud-soft-loud dynamics of the Pixies, but with only one great album, they can't really take their place among the greats. It's like the Hall of Fame -- you need more than just one good year to be selected.
It was right after 1991 that I turned to jazz. The day Cobain died was symbolically more or less the day the (rock) music died, at least in terms of being a vital or innovative form. There have no doubt been good things since them, but nothing really new. As far as I know.
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