A Cosmos in Leafing Color

Hey, wait a minute -- this is no cold, this is a flu! I won't say it's "the" flu, since I always get a flu shot. But it's certainly a flu, what with the aches, the fever, and the sweats last night. The latter means I've turned a corner on it. But I slept way too late, plus I have to work today. And on top of that, I'm still in the process of debriefing Will on his supersecret mission to locate a shortcut between the interior horizon and the northern territories of Upper Tonga.

So the best I can do is rewordgitate an old post that even I don't remember. It doesn't seem like the sort of thing thing that can be skimmed. Rather, it must be lingered over and pondered in order to even be properly misunderstood. In my opinion.

An allnewtous commenter observes that "the three primary colors of light (not pigment) are red, green and blue. Looking at the wavelengths of these colors, red is the longest (lowest frequency), blue is the shortest (highest frequency) and green is intermediate between the two. Now, as you follow the red wavelength to its extreme it approaches a flat line, that is, the horizontal, and as you follow the blue wavelength to its extreme, it approaches a vertical line. The point of intersection (middle ground) is that of the cross (El Christo). Also note that the red and blue spectrum venture beyond the limits of our visual detection, whereas that which lies in between (the green primary color) represents the visual spectrum.

"It is no accident that the primary colors are trinitarian. Following the principle of metaphysical correspondence (as above, so below), the red (horizontal) corresponds to the Spirit (think immanence and timeline, as in 'he has spoken through the prophets') and the blue (vertical) as the Father who is beyond (think transcendent, depths of the ocean, blue skies, deep space, the Father is greater than I). Both of these persons of the Trinity are 'unseen', whereas the Green (think intersection, cross, middle) is the visible person of the trinity, El Christo."

What are the messages we may derive from this correspondence? That "1) God is present with us, even in the horizontal, 2) The metaphysical has its expression in the physical, 3) To use Bob symbolism: Spirit (bidirectional horizontal arrow) and Father (bidirectional vertical arrow) = intersection = where Christ is to be found, and 4) The arithmetical expression of number three above is 1+1+1= 1."

This reminds me of a riff by Schuon in Spiritual Perspectives and Human Facts, in which he goes off a deep end in a curiously precise way about the spiritual meaning of the various colors. Most of it struck me as deeply true, and yet, it also left me wondering, 1) how did this guy come up with this stuff, and 2) what kind of cosmos is it, whereby such things can be even remotely true, since the official scientific view is that color is absolutely meaningless? Remember, in the Newtonian view, color is simply an optical illusion produced by energy vibrations.

But what if the existence of color holds certain keys to our understanding of the whole existentialada? Put it this way -- would it really make no difference if we lived in a world in which there were no color, just light and dark and nothing in between?

Schuon writes that colors are part of the formal order, and yet, are independent qualities that exist separately from tangible form. As applied to the Spirit, he writes that "affective and combative spiritual positions are 'red'; contemplation and quietude are 'blue'; joy is 'yellow'; pure truth, 'white'; the inexpressible, 'black.'"

In themseleves -- i.e., archetypally -- he says that "red has something of intensity, of violence, blue of depth and goodness. Our gaze is able to move, to lose itself in blue, but not in red, which rises before us like a wall of fire. Yellow partakes at once of intensity and depth, but in a 'light' mode; it has a certain 'transcendence' compared to the two 'heavy' colors; it is like an emergence toward whiteness. When mixed with blue it gives to the contemplativity of this color [green] a quality of 'hope,' of saving joy, a liberation from the enveloping quietude of contemplation."

How does this stack up with our commenter's formulation, that green is the intermediate principle where the height of the transcendent is to be found in the depths of the immanent, thus engendering hope?

Schuon goes on to say that "Red excites, awakens, 'exteriorizes'; blue gathers and 'interiorizes'; yellow rejoices and 'delivers.' Red is aggressive and moves outward; the radiance of blue is deep, welcoming, and leads inward; the radiance of yellow is 'liberating' and spreads in all directions. The combination of inward withdrawal (blue) with joy (yellow) is hope (green); hope is opposed to passion (red) because unlike passion it does not live in the present, but in the future; it is opposed to passion in its two aspects of introspection and joy."

And green is indeed an odd color. It is obviously the color of elemental life, i.e., the mystery of photosynthesis, which converts the pure light of the celestial center into green leaves -- just as the Tree of Life is a center of pneumasynthesis for those whose wood beleaf. Schuon says that green possesses an ambiguity because "it combines two colors that are opposed in two different respects," thus giving it "a character of 'surprise' and 'strangeness.'"

No one expects green to appear in a dead cosmos! One could go so far as to say that the sudden emergence of a green planet is about the oddest thing one could imagine after 9.85 billion years of a lifeless cosmos following the big bang. Green is always saying Boo! But in a good way.

As Schuon explains, green "has two dimensions -- whence its mystery -- whereas its opposite color, red, is simple, indivisible, instantaneous. Green is hope, promise, happy expectation, good news; it has an aspect of gaiety, and mischievousness; it possesses neither the violent action of red nor the inscrutable -- and inwardly unlimited -- contemplativity of blue; nor is it the open, simple, and radiant joy of yellow."

Christ's own passion (red) is resolved in hope (evergreen, as in the Christmas tree). I suppose this is why satan is always depicted as red. Red "is the present moment. Green, its opposite, is duration with its two dimensions, past and future, the future being represented by yellow and the past by blue. Seen spatially blue is space and yellow the flashing center, a center that reveals itself and liberates, displaying a new dimension of infinity. It is the sky transpierced by the sun."

So I suppose Christ would be a balance of blue and red, crowned in yellow in a backdrop of green. Discuss amongst yourselves.